News

 
Review: Bending It Like Bharatanatyam
11/06/2017
The New York Times
“I struggle with English,” the dancer Preeti Vasudevan told an audience at New York Live Arts on Thursday, speaking eloquently in English. The problem, she explained, was a physical one, the sense of an unbridgeable distance between her and us.

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A Moving Meditation on Context
11/02/2017
The Brooklyn Rail
Bill T. Jones/Arnie Zane Dance Company’s A Letter to My Nephew is a study in personal and historical layers. The BAM Harvey Theater, where the piece was performed as part of the 2017 Next Wave Festival, is gilded and rich in adornment, yet weathered around the edges. Jones’s Letter is similar, simultaneously grand and...

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With “Stories by Hand,” Preeti Vasudevan Strives for the Intimacy of a Living Room
11/01/2017
The Village Voice
When Preeti Vasudevan, a native of Chennai (formerly Madras), India, who’s lived in the United States for more than twenty years, announced that she was presenting a solo performance on the huge New York Live Arts stage, I worried that she wouldn’t be able to command the enormous space all...

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#SpeakingInDance: Not Your Usual Bharatanatyam
11/01/2017
The New York Times
The dancer and choreographer Preeti Vasudevan is paring down in her new autobiographical solo, “Stories by Hand,” at @nylivearts this week. She’s trained in the Indian classical dance form of #Bharatanatyam, but she won’t be wearing any ornate silks or bells.

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In The Studio: Preeti Vasudevan Brings Personal Influences to Traditional Bharatanatyam
10/31/2017
Dance Magazine
Award-winning choreographer Preeti Vasudevan has been praised for the juxtaposition of traditional and contemporary elements of Bharatanatyam (classical Indian dance) she implements in her work. We ventured to New York Live Arts where Vasudevan will be performing her new work, titled Stories By Hand, later this week.

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The Visual Choreographic: Walter Dundervill Interviewed by Ivan Talijancic
10/19/2017
BOMB Magazine
I first saw an excerpt of Walter Dundervill’s work as part of a group show at the Invisible Dog Art Center in Brooklyn in 2012. I still vividly remember his quicksilver weaving around his performers, creating a mesmerizing whirlwind of ribbons, fabric, and props that shape-shifted into one baroque costume...

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BILL T JONES/ARNIE ZANE COMPANY - NEXT WAVE
10/16/2017
Solomons Says
‘Letter’ is another of Jones’s biographical distillations of fact and feeling, related to someone in his life — a gritty, impressionistic tone poem.

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Life in a Whirlwind
10/16/2017
Arts Journal
Movements and groupings echo one another as unsettlingly as the reverberations that Samuel Crawford’s sound design creates in the score that’s vividly performed by composer-keyboard player Nick Hallett and singer Matthew Gamble. And, in fact, Jones’s collage of repetition and fragmentation does evoke a life going in circles.

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"To our next...." A letter from Bill T. Jones and company
10/16/2017
Infinite Body
Jones reaches beyond this single relationship [with his nephew]–described elsewhere as “complicated”–to embrace the culture and resistance of today’s youth as they confront our violent, racist, homophobic society…and themselves.

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From Belgium, A Love Supreme
10/01/2017
DanceBeat
The creators of A Love Supreme, Salva Sanchis and Anne Teresa De Keersmaeker, warm us up in a more intimate way for what is to follow. A half hour before the performance is due to start, saxophonist Tony Jarvis and bass player Nathan Peck infiltrate NYLA’s small lobby, dueling amid those...

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