BILL'S BLOG

 

11/25/2014
Context Notes: Neil Greenberg

The Meaning of “Meaning”: Neil Greenberg
by Paul David Young

When I met Neil Greenberg in the auditorium of New York Live Arts, he was munching on a salad. Barefoot and in track pants, he was from the start quite affable and welcomed my presence at his first time to try out This in the space in which it would be performed. He had unexpectedly been given an early opportunity to explore the piece in the theater at Live Arts for one day and generously invited me to join them. (more…)

11/03/2014
Context Notes: Bill T. Jones/Arnie Zane Dance Company

By Chance
by Jedediah Wheeler

By chance, I was working for an artists’ management collective at Westbeth (NYC) in the seventies. Merce Cunningham’s studio was located down the hall. The building had been part of Bell Labs and its president used our offices. My job was to find performance opportunities for avant-garde artists such as Richard Foreman, Robert Ashley, Alvin Lucier, David Gordon, Lucinda Childs and Mabou Mines. One artist in the collective already had a formidable performance career and I was told that he did not need my attention. His name was John Cage. John Cage was mushrooming worldwide on his own! (more…)

10/30/2014
Giséle Vienne & Dennis Cooper: Come Early Conversation

10/29/2014
Gisèle Vienne Stay Late Discussion

10/23/2014
Context Notes: Gisèle Vienne

Gisèle Vienne: Disturbance in Representation

By Bernard Vouilloux

The French-Austrian artist Gisèle Vienne (b. 1976) has made the stage her primary artistic material. Deceptively theatrical, her pieces function as tableaux or cinematic shots, hybrid representations of what is inexpressible in human relations. An analysis by Bernard Vouilloux, professor of literature and the visual arts at the Sorbonne. (more…)

10/23/2014
Cythia Oliver Come Early Conversation with Nia Love

10/21/2014
2014 New York Dance and Performance Bessie Awards

Big congratulations to all of the 2014 New York Dance and Performance “Bessie” Award recipients! Special congratulations to John Jasperse for winning Outstanding Production for his piece Within between, Stuart Singer for winning Outstanding Performance in John Jasperse’s Within between and Rebecca Serrell-Cyr for winning Outstanding Performance in Donna Uchizono’s Fire Underground. Read the New York Times Review of the Bessies.

Rebecca Serrell-Cyr in Donna Uchizono's "Fire Underground" - Photo by Ian Douglas

Rebecca Serrell-Cyr in Donna Uchizono’s Fire Underground. Photo by Ian Douglas.

Stuart Singer in John Jasperse's "Within between" - Photo by Ian Douglas

Stuart Singer in John Jasperse’s Within between. Photo by Ian Douglas.

10/17/2014
Jennifer Monson: Stay Late Conversation

10/16/2014
Jennifer Monson: Come Early Conversation with Travis Chamberlain

10/10/2014
Context Notes: Cynthia Oliver

Language As Step, or Language Stepping to the Step: The Body as Storymaker in the Work of Cynthia Oliver
By Jess Barbagallo

“Words set to rhythm are like gravy on meat: The sum is greater than the parts.”
-Brenda Dixon Gottschild, Digging the Africanist Presence in American Performance

Cynthia Oliver is a self-described storyteller, her need to “new narrativize” energizing and tangible. Born in the Bronx, raised in St. Croix, and currently a professor of dance at the University of Illinois, Oliver holds multiple subject positions with a grace and clarity that has sustained her career as a performer, choreographer, educator and scholar for over twenty years. (more…)