Michelle Boulé is a choreographer, performer, teacher and Certified BodyTalk Practitioner based in New York. Her work has received commissions and presentations from The Chocolate Factory, Danspace Project, River to River Festival, American Realness, ISSUE Project Room (Emerging Artist Commission), Mount Tremper Arts Festival, Dance and Process at The Kitchen, Movement Research at Judson Church, Center for Performance Research, Catch Performance Series, and a Danspace performance curated by Judy Hussie-Taylor in “Come Together: Surviving Sandy.” She has also toured her work to Gertrudes iealis teatris in Latvia, the OnEdge Festival at Links Hall in Chicago, and The Painted Bride in Philadelphia. Her collaborative duo with composer/cellist Okkyung Lee has been presented by The Met Breuer, send + receive festival (Winnipeg, Canada), The Stone, MoMA Junior Associates event, and ISSUE Project Room. Boulé has been a choreographic assistant and performance coach for Deborah Hay solo adaptations, including an adaptation presented by El Auditorio in Tenerife, Spain. She has also choreographed works for the Latvian Academy of Culture, University of Oregon, Trevor Day School, and University of Illinois. Awards received include a New York Foundation for the Arts Choreography Fellowship, Cloud Prize, Boekelheide Creativity Award, Jerome Foundation Travel & Study Grant, Foundation for Contemporary Arts Emergency Grants, and Brooklyn Arts Exchange Space Grant. She is a currently a cohort artist in the Lower Manhattan Cultural Council’s Extended Life Dance Development Program (2015-17). She has also had residencies at collective address, Yaddo, MacDowell Colony, Bemis Center for Contemporary Arts, and Movement Research, and internationally at DanceHouse (Ireland), and at SKITE (France). In 2002, she was a DanceWeb scholarship recipient at Impulstanz in Vienna.
As a performer, she has collaborated with Miguel Gutierrez and the Powerful People since 2001, receiving a 2010 New York Dance and Performance Award “Bessie” for her performance as James Dean and collaboration in the creation of “Last Meadow” and 2015 “Bessie” nomination for her body of work with Gutierrez. Other artists she has worked with include John Jasperse, John Scott, Deborah Hay (William Forsythe commission “If I Sing to You”), David Wampach, Donna Uchizono, Mark Dendy, Neal Medlyn, Christine Elmo, Neal Beasley, Beth Gill, Judith Sanchez-Ruiz, Doug Varone (Metropolitan Opera Ballet, Opera Colorado), Gabriel Masson, and playwright/director Rosie Goldensohn. She is part of the teaching faculty at Movement Research in New York. She has also been faculty at The New School, Hollins University and the University of Illinois, as well as a guest teacher at dance institutions in North America, Europe, Australia and Asia. She received her B.F.A. from the University of Illinois, Urbana-
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