Solomon Weisbard

Color headshot of Solomon Weisbard. They are smiling at the camera, wearing brown glasses and a brown collared shirt.

Weisbard is Brooklyn-based and Oregon-born. Since 2006, he’s created various projects with Bill T. Jones / Arnie Zane Dance Company, most recently Story/TimeFondly Do We Hope…Fervently Do We Pray, and 100 Migrations. Other lighting designs: Rite of Spring(Martha Graham); The Soldier’s Tale (with Michael Cerveris at Yale / Carnegie Hall);Stones in his Pockets (Yale Rep); Macbeth (Arden); Luis Alfaro’s Delano (Magic); Men on Boats (Clubbed Thumb); The Coronation of Poppea (Princeton Opera); The Film Society(Keen / Theatre Row); CedarsLion in WinterA Class Act (Berkshire Theatre Festival);Christina Anderson’s Hollow Roots (Public Theatre / Under the Radar); FaustThe Barber of Seville (Tri-Cities Opera). Numerous sound, light, and movement works with rising and established composers, choreographers and theatre-makers. MFA: Yale School of Drama. Member: United Scenic Artists Local 829.