Everything Alright follows the dissolution of a community faced with the intrusion of a visitor. The piece revolves around seemingly infinite variations of views and values centered on a traumatic event as perceived by a group of people, overlaying their various experiences so that events are distinguished as a plurality of moments prolonged and collapsed into each other; adopting elements of the fantastic and tropes of threatening foreignness threading aspects of 1950s science fiction via a modern-day parable of liberation spiraling into madness, to explore those moments when we are wholly present, and those in which we are wholly elsewhere.