Makini
TERRESTRIAL: The Sprout
Mar 14 Stay Late Discussion
TERRESTRIAL: The Sprout is the first performance work in the collaborative series of works, TERRESTRIAL. A solo dance performance, The Sprout wonders about the legacy of a single human lifetime as it relates to the broader expanse of a planet’s geological history. It wanders through the terrain of identity amidst the impossibility of individuation.
Conceived by Makini (Durham, North Carolina, USA), with co-direction by Anderson Feliciano (Belo Horizonte, Brazil) and Nefertiti Charlene Altán (Oakland, California, USA), TERRESTRIAL is a multidisciplinary project that weaves together performance, choreography, speculative futurist thought and equity-based models of cooperation to re-calibrate social, cultural and physical existence.
This multi-lingual, transgeographic space is a collaborative of Black, Indigenous and Mestiza artists from lands currently called “Brazil” and the “US.” Together, they are developing a body of performance-based time capsules that interweave imagined / half-truth / rumored / hyperbolized image fragments of Blackness and Indigeneity throughout the past several decades, patching together the plurality of these phenomena through invented court/ceremony dances situated in the very distant future.
Performed by Majesty Royale-Jackson
Choreographed by Makini
The Live Feed creative residency program is supported in part by Partners for New Performance.
TERRESTRIAL: The Sprout is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by New York Live Arts in partnership with Dance Place, Museum of Contemporary Art Chicago, and NPN. The Creation & Development Fund is supported by the Doris Duke Foundation, the Mellon Foundation, and the National Endowment for the Arts.
This project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, with funding from the National Endowment for the Arts and Durham Arts Council, local grants administrator.
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